“Call Of The Unicorn” fittingly arrives as the first track that Kismet had ever written for the album back in 2018, combining lustrous R&B atmospheres alongside Baxter’s celestial vocal harmonies before breaking away into trebling dubstep bass lines and high-pitched synths. It’s how it makes us feel, and we hope that message spreads to everyone who hears it.” We want people to feel powerful, beautiful, and strong when they listen to this song. I sent her the original demo of COTU, and within days, she came back to me with a vocal cut. When we first met, the only thing we can talk about is how much music meant to us. Tasha Baxter is a songwriter and vocalist that I have admired since I was a little kid. W track listing: I Want to Go to the Side Where You Can Touch. Pre-order the album here (and check out a limited color variant of the Hizumitas pedal exclusive to Sacred Bones), and look for more enchanting passages from W to surface soon. Not too much going on, but still enough to draw a listener into the song. W will be released January 21st, 2022 via Sacred Bones Records.
WILL SINGE ALBUM FULL
When I started flushing out the full arrangement, I realize that I wanted this song to have an anthemic feel. “’Call of the Unicorn’ originally started out as a sound design experimentation session, but ended up becoming something so much bigger. Speaking on the production process of the track, Kismet shared, The 16-year-old non-binary producer has teased one of our most-anticipated albums of the year, delivering singles such as “ Rumor,” “ Vendetta For Cupid,” and “ Autonomy,” with the final single encapsulating the LP ahead of its release. At times optimistic and sparse and on other occasions tense and enveloping, each piece on ‘Boing!’ takes us deeper into the duo’s world.įor more info visit Astronaut‘s Breakout Artist of 2020, Moore Kismet, has shared the final single from their upcoming album UNIVERSE, “Call Of The Unicorn” with Tasha Baxter. It explores the idea of two people collaborating at a distance and includes rotoscoped imagery of the two artists dancing.įurther highlights include the pulsing and searching 'Just make it', the expansive soundscape of title track Boing!, and the frenetic & strange but somehow familiar 'Out of our hands'. John produced a video for this track which features a hand drawn collage of animated loops. Lead track ' In the moments' traces an entangled journey, moving towards consonance before disintegrating. "I suggested playing over Zoom and that we use the delay as part of the improvisation" Bex describes, taking turns to lead the exchange, whilst enjoying the looseness of “there not being a definite time”, as John puts it.
The sessions became a regular creative outlet for the two artists and gave rise to Boing! which documents John and Bex getting to know each other and helping each other through the lockdown experience.īoing! is a celebration of listening and creative freedom from two of the most exciting voices in the jazz+ scene. When a planned meeting in Sheffield was put on hold John and Bex began playing together using Zoom to record weekly improvised sessions during the first lockdown of 2020.